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	<title>Round Midnight &#8211; VerhoovensJazz</title>
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		<title>From Jazz over Films to Series about Jazz</title>
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		<pubDate>Mon, 06 Sep 2021 12:12:09 +0000</pubDate>
				<category><![CDATA[Movies & Books]]></category>
		<category><![CDATA[Eddy]]></category>
		<category><![CDATA[Herbie Hancock (p)]]></category>
		<category><![CDATA[Jazz for Films]]></category>
		<category><![CDATA[Lee Morgan (tp)]]></category>
		<category><![CDATA[Miles Davis (tp)]]></category>
		<category><![CDATA[Round Midnight]]></category>
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					<description><![CDATA[<img post-id="5676" fifu-featured="1" width="267" height="150" src="https://verhoovensjazz.net/wp-content/uploads/2021/09/from-jazz-over-films-to-series-about-jazz.jpg" class="attachment-thumbnail size-thumbnail wp-post-image" alt="Jazz Films" title="Jazz Films" title="Jazz Films" decoding="async" />Der Fahrstuhl zum Schafott (Miles Davis) oder an Außer Atem (Martial Solal) oder an Bird von Clint Eastwood (Charlie Parker). An Round Midnight (Herbie Hancock)? Nehmen wir Anatomie of a Murder (Duke Ellington) oder Blow up (wieder Herbie Hancock)]]></description>
		
		
		
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